“The Sacred and Profane Dichotomy in the Art of Warhol and Serrano”

“Visual Manifestation of Things Unseen: Relating Abstraction and Trauma”

“Fragmented storytelling in Lynda Barry’s graphic memoir One! Hundred! Demons!”

“Contemporary Black Choreo-Performers: Intersecting Bodies, Dis/Placement, Race”

“Performing Agency - Contemporary Burlesque and the Feminist Gaze”

“Ways of Looking: Appropriation in Annie MacDonell’s Originality and Repetition”

“The Metrics of Monstrosity & the Visuality of Crime Detection; from the Victorian era’s Photographic Archive to Artificial Intelligence”

“Drop my heart like an urn; dissolve my skin like it’s clay: Dichotomies of Destruction & Creation; the Material & the Intangible”

“Understanding Creative Canada: Cultural Policy, Public Sentiment, and Digital Tax Reforms”

“Conflicting Modernities: Venezuelan art in the 1950s and 1960s”

“Chosen Family Values: Examining the Creative Practices of Kiera Boult, Madelyne Beckles, Kalale Dalton-Lutale and Cason Sharpe”

“Representations and Reality: Defining the Ongoing Relationship between Anime and Otaku Cultures”

“Mario Santamaria’s Trolling Google Art Project: Critical Explorations in Google’s Museum Views”

“Borderlessness: teamLab, Immersive Experience, and New Media Installation Art”

“Visual Sovereignty and the Making of NIIPA: Tracing an Archival History of the Native Indian/Inuit Photographers' Association (1985-2005/2006)”

“Why the 90s Were so Sexy: locating sexuality, pleasure and desire in work produced by Indigenous women identified artists during the 1990s and early 2000s in Canada”

“The Phallus, Excess and "Lack" in Police Brutality”

“Designing the Multilingual: Summer Olympic Sports Pictograms and Universal Design in Cross-cultural Context”

“Creating Learning Communities: an analysis of public events at the Art Gallery of Ontario and the Toronto Biennial of Art”

“Gender in Motion: Exceeding Heteronormative Codes in Salsa Dancing”

“The Fine Art of Bureaucracy: Interfaces with Bureaucracy in Contemporary Art”

“Agonistic Possibilities in Ontario’s Regional Galleries, A Proposition”

“Re-framing Tradition in Cai Guo-Qiang’s Project to Extend the Great Wall of China by 10,000 metres: Project for Extraterrestrials No. 10 (1993)”

“In the Pursuit of Permanence, Is There Only Persistence? Contemporary Graffiti Practices in Toronto”

“The Chartreuse David: A Florentine Souvenir, Michelangelo's David and the Lens of Kitsch”

“Unsettling Spaces: Sensing the Affect of Un-calm”

“Surface Memory: Understanding the Uncanny through the Use of Projection in Adrian Stimson’s Bison in the Bowl: This is Indian Land (2005)”

“Why Speed Matters: Collective Action and Participation in Speedrunning Groups”

“Confronting Ambiguity: The Intersection of Racial and Sexual Marginalisation and Repression in Rex vs Singh (2008) and Seeking Single White Male (2010)”

“Made with Love: Tracing Personal and Cultural Resilience in Annie Pootoogook’s Drawings”

“Enduring Naïveté: Art & Hellenism in a Global-Turn”

“Neo-Kingly Things: Contemporary Furniture in the Restricted Field”

“Concrete Maternality: Late Capitalism and High-Rise Horror”

“Tania Bruguera: Beyond the political, Towards Collective Decoloniality”

“Be YourSELFIE: The Meanings of Gay Bodies on Instagram”

“Occupy! Activate! Engage! The Politics of Visuality in Occupy Wall Street”

“Sensual Alterity of Digital Objects”

“Whimsical Bodies: Agency and Playfulness in Robotic Art”

“Spatial Awareness in Locative Media Projects”

“Embodiment and the Digital Continuum: Post-Cinematic Diffractions in Ex Machina, Her, and Under The Skin”

“Anish Kapoor: Embedded Impressions of Indian Culture”

“Objects in Human Drag: The Queerness of Object-Oriented Ontologies”

“The Comic's Heartbeat: Framing Affective Structures in Comics History”

“Seeing Beyond the Visual: Sensory Perception and Synesthesia in Contemporary Installation Art”

“Interrogating Accents: Brendan Fernandes, Katarina Zdjelar and Nicoline van Harskamp”

“Idea or Individual? Indigenous self-representation and narrative: Shannon Masters’ Empire of Dirt as a Case Study”

“Get Your Mind Outta the Gutter: Actor-Network Theory and Panel Layout in Comics”

“A.N.T, Agency and Cinematic Authorship”

“Cultural Displacement: Gender and the design of identity of the Iranian diaspora, from Iran to Toronto -­‐ 1979 to 2013.”

“Sampling Beyond Sound: Contemporary Sound Art and Popular Music”

“A Gallery of Culture in Our Times: Julia Peyton-Jones and the Serpentine Pavilions”

“Sapologie: Performing Postcolonial Identity in the Democratic Republic of Congo”

“Spectacular Castration: Labiaplasty as Body Negation in the Age of Globalization”

““I’m touching myself” An Investigation of Ann Hirsch’s Twelve”

“Performance Art as Mirroring Identities: As Examination of Nikki S. Lee's Projects (1997-2001)”

“Sheepish: Posthumanism and the ovine in contemporary art”

“New Media as a Platform for Indigenous Self-Representation and Socio-Political Activism: As Seen Through TimeTraveller™ and Skins”

“Rafael Lozano-­‐Hemmer: Exploring Mexican Identity in Interactive Media”

“PANTONE: Identity Formation Through Colours”

“Indigenous Hip Hop as a Tool of Decolonization: Examining Nicholas Galanin’s Tsu Heidei Shugaxtutaan Part One and Two and Kevin Lee Burton’s Nikamowin (Song)”

“Why Look at Dead Animals? Taxidermy in Contemporary Art”

“G.I. Jane Doe: Witnessing War in the Exhibition Overlooked / Looked Over”

“Now You See Me, No You Don’t: Lorna Simpson and a Pin-Up’s Photographs”

“Crafting Modern China: the Revival of Yixing Pottery”

“Performing (Inter)Nationalism: The Restoration of the Český Krumlov Castle Theatre”

“Seduced by Form: Aesthetics of Spectacle in Contemporary Art Museum Architecture”

“Immaterialities of Dematerialization in Contemporary Art and Finance”

“Andrew Kuo’s Ironies: The Influence of Social Networking on Contemporary Identity and Self-Representation”

“Commodity Production as Social Stimulus in Vik Muniz’s Brazilian Art Practice”

“Canadian Graphic Design in the 1950s and 1960s: The Shaping of a Profession”

“Teresa Margolles: Death in Venice… Literally”

“Generative Connections: Affective Links in the Media Works of Cathy Sisler and Lindsay Seers”

“The Journey Home: An Examination of Hybridity and Place in the work of Brian Jungen”

“The Art of (Dis)Playing Video Games: Theory Meets Praxis”

“Spinning a Yarn of Bioart and Labour”